Si vous avez adoré 'Big Gay Love' (2013), cette comédie romantique pleine d'humour et de sensibilité, vous allez adorer ces 10 films et séries similaires. Découvrez des histoires qui célèbrent l'amour, l'acceptation de soi et les relations LGBTQ+ avec la même touche de légèreté et d'émotion.

The Adventures of Priscilla, Queen of the Desert (1994)
Description: A colorful and exuberant road trip movie that celebrates self-expression, friendship, and the search for acceptance, featuring drag queens on a journey through the Australian outback.
Fait: The film's iconic bus, Priscilla, was a real vehicle that was restored and used in the movie. The costumes were designed by Lizzy Gardiner and Tim Chappel, who won an Academy Award for their work.


The Birdcage (1996)
Description: A hilarious and heartwarming comedy that explores themes of family, acceptance, and love, centered around a gay couple who must pretend to be straight to impress their son's future in-laws.
Fait: The film is a remake of the 1978 French-Italian film 'La Cage aux Folles'. Robin Williams improvised many of his lines, adding to the film's comedic spontaneity.


Brokeback Mountain (2005)
Description: A groundbreaking and emotionally powerful story of forbidden love between two cowboys, set against the vast and rugged landscapes of the American West.
Fait: The film was based on a short story by Annie Proulx, which was originally published in The New Yorker. The iconic shirts worn by the characters were actually the actors' own personal items.


The Way He Looks (2014)
Description: A tender and intimate portrayal of a blind teenager's journey of self-acceptance and first love, capturing the innocence and emotional depth of young romance.
Fait: The film is a feature-length adaptation of the director's own short film 'I Don't Want to Go Back Alone'. It won the Teddy Award for Best LGBT-themed feature film at the Berlin International Film Festival.


Carol (2015)
Description: A lush and evocative period drama that delicately portrays the forbidden romance between two women in 1950s New York, capturing the societal constraints and emotional depth of their relationship.
Fait: The film was shot on Super 16mm film to achieve its distinctive grainy, nostalgic look. It was based on the novel 'The Price of Salt' by Patricia Highsmith, written under a pseudonym.


Tangerine (2015)
Description: A vibrant and fast-paced story set in Los Angeles, following the lives of two transgender sex workers, blending humor, drama, and raw emotion in a unique cinematic style.
Fait: The entire film was shot on an iPhone 5S, giving it a distinctive, gritty aesthetic. It was one of the first films to feature transgender actors in leading roles.


Moonlight (2016)
Description: A deeply moving and visually stunning exploration of identity, masculinity, and love, told through the life of a young Black man across three defining chapters.
Fait: Moonlight was made on a budget of just $


Love, Simon (2018)
Description: A heartwarming coming-of-age story that explores themes of self-discovery and acceptance, focusing on a young man navigating his sexuality and first love.
Fait: It was the first major studio film to focus on a gay teenage romance. The film is based on the novel 'Simon vs. the Homo Sapiens Agenda' by Becky Albertalli.


God's Own Country (2017)
Description: A raw and poignant story set in rural England, depicting the emotional and physical connection between two men amidst the harsh realities of farm life.
Fait: The film was shot in chronological order to help the actors develop their characters more naturally. It was director Francis Lee's debut feature film.


Call Me by Your Name (2017)
Description: A beautifully crafted narrative of first love and desire, set against the backdrop of a sun-drenched Italian summer, exploring the intensity and fleeting nature of young romance.
Fait: The film's iconic peach scene was inspired by a real-life anecdote from the novel's author, André Aciman. The movie was shot on 35mm film to capture the warmth and texture of the Italian countryside.
